Interior of STA Church

Interior of STA Church
All Class Reunion Day, September 30, 2012. Photo courtesy: Dan Carr (Class of 1960)

Sunday, September 9, 2012

Fr. Edward McKenna Sends Best Wishes


We received a note from Fr. Edward McKenna, Associate Pastor at St. Thomas Aquinas (1965-1974) -- the last three years as Administrator of the Parish – and now a Senior Priest with the Archdiocese of Chicago.  Unfortunately, for us, he will be embarking on a chaplaincy for a cruise on September 30th.  He calls this “a priest’s luxury vacation on the cheap!”

He shared the following memory:

I was never happy with the decision by the Office of Divine Worship committee to cover with beige paint the only known replica/copy of Francisco de Zurbaran's Apoteosis de Santo Tomás de Aquino that graced the back wall of the sanctuary.  An arrogant "expert in liturgy" made the decision to modernize [the] sanctuary, and had no thought of the artwork!

[Cardinal] Bernardin's renovation money was well intended; and I am proud of the present condition of the church, with all the surrounding parishes destroyed! It was a difficult time to be ‘pastor/ administrator’ and Cardinal Cody was always at a distance with the complex problems we had to deal with.

That it's all going today is a kind of miracle!

I bet a future redecoration could remove the offending paint and restore the original!  Oh, those progressive liturgists of yore.”

All the best with the beloved STA groupies!
Fr. Edward


Thanks Fr. Edward for your memories and best wishes for our September 30 reunion.  We hope you, too, have a grand time on your cruise!

Additional information about the original painting:

In 1627, Franciso de Zurbarán (1598-1663) began the painting of the great altarpiece of St. Thomas Aquinas, now in the Museum of Fine Arts of Seville.  It was executed for the church of the college, also named St. Thomas Aquinas, and completed in 1631.  This is Zurbarán’s largest composition, containing figures of Christ, the Madonna, various saints, Charles V with knights, and Archbishop Deza (founder of the college) with monks and servitors, all the principal personages being more than life-size.

The style is baroque and the original painting is 486 x 385 cm or approximately 16 feet by 12 ½ feet.

Sources: Wikipedia.com and HISTORIA DE LA PINTURA ESPAÑOLA http://www.deyave.com/Arte/Pintura/historia-de-la-pintura-espanola/7-sigloXVII-Zurbaran.htm

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